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Don't expect self-publishing to be easy

by Shelagh Watkins
(UK)

The Power of Persuasion by Shelagh Watkins

The Power of Persuasion by Shelagh Watkins

Genre: Literary fiction and children's fiction

Many aspiring writers and authors set out to write a novel in the expectation that a publisher out there might be interested in their manuscript. Often, their drive and enthusiasm stems from the enjoyment they receive from writing their stories.

We've all been on the receiving end of a request from a friend to listen to a new piece of music in the expectation that we'll love it as much as our friend does. Often, those who gain a great deal of pleasure from any form of entertainment feel a desire to share that enjoyment with others.

Unfortunately, readers rarely share the same kind of enthusiasm for works of fiction by unknown authors and, although new writers may be engrossed in the process of writing, this doesn't spill over to readers. Enjoying the whole process of writing a novel is no guarantee that readers would love to read the novel if only the author could get it out to them.

I say unfortunately because many writers start to write the novel they want to write and then try to attract the interest of a publisher, which leads to an endless stream of rejection slips and disappointment.

In order to succeed, new writers must be prepared to research the market thoroughly before they start to type anything into their word processors. Although I know this now, I didn't know when the first few ideas for a story began to form in my mind, which meant I was no different to thousands of other aspiring writers and, as such, I encountered exactly the same problems as all first-time writers.

Although I failed to do any research about the business of publishing, I did locate the information for the novel that had started to take shape. The location of that information was in the newspaper archives of the Mitchell Library in Glasgow, Scotland - one of the largest reference libraries in Europe. But first, I had to pass my driving test.

Ten years ago, when I began the research for The Power of Persuasion, because I did not have the Internet at my fingertips, all the information I required was stored in the Mitchell library and there was simply no alternative. I booked driving lessons and, four months later, I passed my test. The following day, I drove into Glasgow and circled the library for twenty minutes until I found a parking space. My journey to the library was over but my journey into writing had only just begun.

Two weeks later, after spending my days in the library, I was in a position to make a start. When I finally hit the keys on my computer, I wrote two thousand words every day for six weeks and completed the manuscript in less than two months. I didn't edit, polish or change the initial draft in any way before I sent out the opening chapters to London-based publishers.

This was absolutely the wrong thing to do. I thought that publishers would read the synopsis and use the opening chapters to see if I had a feel for language and an aptitude for telling a story. To that extent, I did accomplish something. Although every submission came back with a rejection slip, it was clear from my communications with the publishers that they had enjoyed reading the samples I sent. That was the upside. The downside was that they also said they rarely, if ever, accepted unsolicited manuscripts. Without exception, the advice from the publishers was the same: I needed to find an agent. They did tell me it would be as difficult to find an agent as a publisher and they were right. It was.

After a stack of rejections, I stopped searching for agents and publishers and put the manuscript in a drawer and forgot all about it until January 2002 when my brother died of cancer at the age of forty-three and left two young children, then aged five and eight years old. Two months later I began writing again and wrote a children's novel, Mr. Planemaker's Flying Machine. The novel was published in 2005 by Publish America.

After the novel was published, I decided to dust off the first manuscript and rewrote The Power of Persuasion. Throughout the rewriting of the novel, I knew I would have to make a decision about whether or not to send the novel to Publish America. I'd plenty time to think about it; I may have written the initial story in six weeks but it took almost twelve months to rewrite. After considering all the options, I decided to contact agents first rather than sending out anything to publishers. Not unexpectedly, the outcome was the same as the first time I contacted the agents. So, I decided to self-publish.

I could have sent the manuscript to Publish America but I had received a very mixed, and sometimes hostile, reaction from readers on the Internet in general, and members of forums in particular. Many of these critics had been published by Publish America themselves but many had not. None of the critics had been published by Publish America and then gone on to self-publish, though many Publish America authors did go on to self-publish but they weren't the critics. I now understand why.

The whole process of being published - from the first submission, through acceptance, sending of the author's questionnaire, receiving of proofs, approval of the cover art to the final receiving of two free copies sent to Wales all the way from America - was a joyful experience. Even those published by Publish America, who went on to become their sternest critics, enjoyed the process of seeing their first book published. The stress they felt came after they were published not before.

With self-publishing, for me, it has been completely the opposite. I wanted my self-published book to be of the same standard as my published book and, in order to achieve this, I had to learn a great deal. I did all the editing, which took three months on top of the year I'd spent rewriting. Then I had to decide about layout, headings and page footers, and how to gutter the page text. I also had to learn about pdf files and creating a book cover. This was hard work and stressful.

When Mr. Planemaker's Flying Machine was finally published by Publish America, I experienced an enormous thrill and surge of happiness. When The Power of Persuasion was published, I was so tired and worn down by the whole process I was simply relieved it was out of the way.

Does any of this reflect on my novel? No. The novel is well-written, humorous, entertaining and a darn good read. I would recommend it to anyone. Just anyone. Even you.

Synopsis of the novel: Beth Durban is persuaded to write a letter to the editor's page of a national Sunday newspaper in response to a film critic's prejudice against adaptations of Jane Austen's novels. When she receives an unexpected visit from the newspaper's critic, F. William D'Arcy, she is bemused but, after several sightings of the inquisitive journalist, she's neither pleased nor amused.

Beth is so distracted by the unwelcome interest from such an arrogant man she fails to see that a close work colleague is falling in love with her. As a scientific researcher in a Scottish University, she has led a varied and interesting life travelling the world, spending time in New Zealand, Canada, Australia, America, Singapore and Israel. With such a full and demanding life, she has had little time to form any serious, romantic attachments that might lead to a permanent relationship.

When she decides to take driving lessons, Beth opens up new opportunities for herself and realises that perhaps she isn't too old to find love after all.

Author: Shelagh Watkins





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Don't expect self-publishing to be easy

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Oct 24, 2008
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Feedback that makes it all worth while
by: Anonymous

Most days you wonder if anything you write makes any sense to anyone but yourself. Then you receive a message out of the blue that says:

"I read your book some weeks ago and. hope you do not mind, put some thoughts on paper:

I was intrigued the way you set out your book with the link of the mysterious appearances of D’Arcy. My very early and mistaken assumption was that Beth’s letter was equivalent to Elizabeth’s refusal of Darcy’s proposal of marriage by Darcy in Pride and Prejudice. If you saw the production with Colin Firth, he became frustrated at this and was obviously haunted by her.

I was particularly interested in the “ snapshots “- I could see where the University scenarios came from and those concerned with human interaction showed your perception of how we mortals behave. You must have done a lot of research on some of the geographical visits – I have been to most places so recognise the authenticity. Many of these could be expanded into short stories and the you could have your own anthology.

Well done!"

Not everyone understands the book, especially if they haven't read Jane Austen's novels. When someone "gets it" at last, the whole journey seems worth while.



Oct 24, 2008
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Experience helps
by: Faye T. Knight

When you published your first novel, I'm sure that experience helped a great deal when you set out to self-publish your second. It's good that you knew what you wanted for "The Power of Persuasion" (which I plan to read because I love ANYTHING Jane Austeny!!)

I have to say, all aspiring POD and self-publishers should KNOW what they want in terms of style, layout, book size, and most important audience. Dan Poynter's Self-Publishing manual was a God-send. I recommend it to everyone!

~ * Faye * ~

www.fayeknight.blogspot.com

Jun 23, 2008
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You snuck in a synopsis on me!
by: Steve B.

Shelagh, it's an honor to have you on the site. (For those who don't know, Shelagh is quite the webmaster in addition to being an author.)

I think it's fair to say you have an excellent appreciation for the fact that this is a business we're all engaged in. Your advice to "research the market thoroughly" is right on the money.

Too (oddly), I find your realism well nigh unto inspirational. The enchantment we feel for our favorite written works - including our own - is rarely shared and hardly a thing to be depended upon.

In fact, I would stress the point as it pertains to one's own writing. When I speak to writing students, I speak to them of their inborn "blind spot." Many writers are excellent critics, but it's the scarce few who are excellent critics of their own work. It is only by subjecting ourselves to the criticisms and critiques of others - and by taking the criticisms that repeat seriously - that we have any hope of ever overcoming our delight with our own work. I say this too: if you've never reread an old piece of your work and gone flush with embarrassment at the thought of having actually shown this...this thing to people, then you don't yet have what it takes to be a professional writer.

And that's okay. I think striving to succeed in the field often brings more sadness than glee. But if your intent is to approach publishers and agents...

Learn your stuff. Do your apprenticeship. Become your own worst critic.

I commend you on your growth process, your learning curve...whatever you want to call it. You wield an impressive pen; your prose is a joy. When you say,

"The novel is well-written, humorous, entertaining and a darn good read. I would recommend it to anyone..."

I suspect what you say is actually true.

Good for you. I hope everyone is listening.

Jun 23, 2008
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"Been there, Done that"! & congrats.!
by: Julie W. Buscher

Re.: my experience in writing and finally getting my illustrated, 4-color children's book "Homer the Helicopter Grand Canyon Adventures," published is very similar to "your story." I thought I held the record for taking the longest time to get a book out in print,- over 13 yrs. In the early stages of researching self-publishing companies and printers, I did check-out Publish America, but didn't "go" with them.

I, like youself, was just happy to get the project finished! Congrats. to you!

I'm on this site; also see:
www.homerthehelicopter.com
AND
www.myspace.com/homersilverstreak_copter

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